June 18, 2013 9:52 pm


ton avgusto na vrethume and we can make some prawnkrakas
kamnw post akoma egw
i know
the blogger in me has either dies
or he is taking a really looong break!
den oirazei
i overdid je egw
poso jero
keep on going…
until one day we open a gallery in nicosia called prawnkraka gallery,
that also serves chinese aperitifs
men gelas!
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December 18, 2013 4:50 pm
en ta dekaxrona tu ombion simera
To prawnkraka pos enna klisi?
ou enikserw, en pu to 2007 i 8?
2008 nomizo
ee 6 xronwn enei
eshei psumia na faei koma
Pos pernan ta xronia
Otan pame mazi Biennale ke ekprosopisume ti Kipro etsi tha onomasume ti simmetoxi mas

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has it been this long?

Ω ουράνιο σώμα που σύρνεις αντανακλώμενα κουτούδκια ενέργειας στα μάθκια μας, μα έσιει τόσο τζαιρό να γράψει κάποιος κάτι στο Prawnkraka?

Λίγα είναι τα κρατούμενα, ξεκινούμε

1) Είμαστε και οι 3 καλά

2) Ο Μορφέας κάμνει εκθέσεις σε ούλλο το κόσμο τζαι κάμνουμε του likes στο Facebook

3) H Μαρία Τ. σάζει το κατάστημα του παππού – αναμένετε εξελίξεις στα πολιτιστικά δρώμενα και μη-χιπστερική (αμήν) παραγωγή κουλτούρας.

4) Εγώ είμαι ένα χάμστερ πας το τροχό που βουρά. What to do! Κάποιος πρέπει να παρέχει συμβουλές υγείας στον κόσμο.

5) Το prawnkraka δεν πεθαίνει

6) Δεν είμαστε start-up ούτε θέλουμε ή χρησιμοποιούμε crowd sourcing – προς το παρόν.

7) Οποιαδήποτε ανεπιτήδευτα, έξυπνα, όμορφα και staight from the heart έργα και σκέψεις καλοδεχούμενα.




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presentation mechanisms, Santa Croce (Cyprus), 1483.

“…Wonderful is the position or location of this cross in its place. It is in a niche dimly lighted, both its arms are sunk in recesses in the floor.  But the recesses of the arms and the foot are large, disproportionately so to what they hold, yet does not the cross touch the wall, but is absolutely free from any contact with it; and this is the wonderful story about the cross that hangs in the air without support, and yet it stands as firmly as though it were attached by the strongest nails, or bonded to the wall, which is not, for all these recesses are large, so that a man can put in his hand and feel that there is no fixture in the back or the head of the cross…”

-Excerpt from Felix Faber’s account (1483) , Excerpta Cypria; Materials for a History of Cyprus, Claude Delaval Cobham.

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gioni on eyes.

“…In paintings, the eyes are often what seem to elicit the most hostility: acts of vandalism and iconoclasm tend to target depictions of the gaze, because the eyes are where the miracle of illusion takes place day after day…

And so Giuseppe Sacchi’s graffito on Piero della Francesca’s fresco doesn’t just remind us of the fact that Giuseppe Sacchi – unlike those images – was a living creature made of flesh and blood.  It also reminds us of the magical bond that for thousands of years now has linked human fate to the fate of images”  

-Excerpt from An Eye for An I by Massimiliano Gioni, If Mind Were all There Was, Nine Themes on Giuseppe Sacchi, with Seven Drawings by Victor Man and Andro Wekua.

                                                                                                                                                                gioni’s eyes



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by | July 29, 2013 · 10:05 pm